Archive for the ‘Pam’s Essays’ Category

There’s a Place in Hell for People Like Us

It is Saturday morning, and the baby at the construction site next to our house won’t shut up. OK, maybe that’s an exaggeration: he’s not baby, he’s a toddler.

They’re building a three-story shopping center in our quiet, by Indian standards, neighborhood. The site has been a riot of chaos for a month now. Overlords in mirrored glasses overseeing a sari-clad chain gang. On most days the hideous grind of the cement mixer drowns out the crying children. Toddlers. Whatever.

At night, most of the workers go home, but dozens stay and crowd into the pair of cinder-block shacks that were built when the construction first started. I’ve heard that these builders are nomadic families who travel from one project to the next for six months or a year at a time. The children play in the sand piles until they are old enough to carry cement on their heads; apparently around age four. The ten-year-olds cook for the families on open fires, inside the shacks, breathing in black smoke… while my husband and I lay in our canopied bed, in our air-conditioned bedroom, complaining about the crying baby, and trying to forget that it looks like a UNICEF commercial is being filmed next door.

Rat. Parkour. Kitchen.

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Last night there was a rat in the kitchen. He didn’t have the long slithering black Manhattan-trash-pile-on-the-hot-summer-night tail that makes me want to scream and pass out; he was more like a giant-sized field mouse. A Beatrix Potter creation with soft brown fur who would have been perfectly at home sitting on a pin cushion reading the newspaper. But still, he was a rat, a five-inch long disease-carrying rat… apparently built on springs.

The rat launches himself from the table, bounces off the back of a chair then flies to the window five feet away, scrambles up the blinds and disappears. By now my screeching has gotten Phil’s attention: “We have rats !” I shout, as he hurries downstairs. “Rats – BIG rats,” I point at the window blind.

Phil grabs a paper bag, I grab a cow whip that the maid laughed at me for buying. I whap at the blind while Phil stands ready to catch the varmint in the bag. I whap again: nothing. I open the blind then let it roll open.

Phil sees a shadow dash into the kitchen on the other side of the room and shouts, “Fucking hell, that’s a huge rat !” We run into the kitchen just in time to see him slip behind the fridge. Phil muscles the fridge away from the wall. The rat darts across the floor to the water cooler. We scream like seven-year old girls.

I smack the water cooler. The rat flies over the microwave to the towel rod below the cupboards. He scampers the length of the cupboards. When he gets to the stove he leaps three feet to the window, and scurries to the top of the blind. Cow whip – check. Bag – check. He peeks at us over the top of the blind, and we’re pretty sure he’s laughing, great peals of silent rat laughter, because this is hilarious. The two of us are doubled over, howling.

After seeing this rat in action, both of us know we haven’t got a chance in hell of catching him. It is impossible not to be impressed. He may be the most efficient being we’ve seen in this country to date, the first creature who appears to know exactly what he’s doing (in this case, evading his captors), and is going about it in the most ergonomically streamlined way possible (see “parkour” in the Wikipedia; or watch the opening sequence of Daniel Craig‘s James Bond movie, “Casino Royale“).

I tap the blind and he launches himself from the top of the window into the sink full of dirty dishes. He bounces from a soup bowl into a saucepan, then tumbles over a tea cup. Our kitchen has become an Indian Tom & Jerry cartoon, a live rat theater production of Ratatouille. He escapes and we can’t stop laughing.

Phil and I look around the kitchen. “Of course we have rats,” he says. “Look at this place.”

Dishes in the sink, trash on the floor, food on the counter. The maid doesn’t really get the whole “clean” thing. She is great at mopping the floors, but seems to be baffled by things like glass counter-tops and emptying trashcans. She’s nearly as bad as I used to be at doing the dishes directly after dinner. Phil and I have trained ourselves not to complain about each other, so we forget to complain about her.

The maid and I need to have a talk.

Wanted : One Ratproof Sari Basket

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I dread going downstairs in the morning for fear that my day will be hijacked. I’ve taken to bringing a tea tray up to my bedroom the night before along with the electric kettle; this morning I forgot the honey and had to brave the confusion.

I slide open the door and the maid’s seventeen year-old daughter and twelve year old son are rolling up their bedding and leaning them against the wall near where the trashcan ought to be.

People sleep in our kitchen and we don’t have a trashcan. A couple times a day I set up a new trash bag, and a couple times a day it disappears. After 3 months, garbage here is still a mystery: the walkway outside the kitchen door has drying coconuts and papaya skins on every flat surface; there is a plastic bucket with a mixture of slop that I’m guessing is for the cow that is rumored to come when you call, and likes the trash we serve; but the slop is mixed with plastic bags and old razors. Even though there is no evidence of recycling, I always set the plastic and glass on one end of the counter, and eventually it disappears. I worry that our credit card statements and used tissues are being dumped in a nearby lot and have become part of someone’s slum tent.

“Ma’am,” she says – this word often marks the beginning of the end of my workday – “My mother is asking if you can buy her a basket for her sarees. Because the rats are making holes in them. “

I stop mid honey-grab and stare, letting the concept sink in. Rats are eating her sarees. I didn’t even know there were rats in India, let alone that they were populating our house. I resist shouting, “What the FUCK? Rats. We have RATS. And they’re EATING her SAREES. Is this the fucking MIDDLE AGES ????”

Instead I nod, as if I’ve heard this question before, as if ratproofing my wardrobe is something I’ve done hundreds of times. I don’t want her to read the shock on my face. I don’t want to let on just how far from my reality this statement lands. I don’t want her to feel bad. I don’t want her to know that there is a big world out there where there are no sari-eating rats. I want to protect this seventeen year old mother from the harsh reality of her own life.

I leave the kitchen, and climb back into bed. I snuggle up close to Phil and whisper, “Rats are eating the maid’s sarees.”

“Hmm ?”

“We need to buy her a basket for her to keep her sarees in, because rats are eating them.”

“Just gets worse, doesn’t it,” he mumbles, rolls over and goes back to sleep.

I spend the next two days looking for a ratproof sari basket. I don’t even know what this means.

Entourage

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[audio:Janes Addiction – Superhero.mp3]
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entourage
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In India there are as many distractions as there are people, and most of the time the distractions are the people.

Every morning I wake up early and launch myself out of bed to write before the house swirls into chaos. Writing is temperamental business and requires hours to stare into space, usually cyberspace – Facebook, MySpace, the New York Times, the Huffington Post, the Times of India, BoingBoing, etcetera – before getting started in earnest. After checking in on the Somali Pirates, and what the first lady is wearing and seeing if my people have anything interesting to say, I can become one with language and ink.

On a normal day, usually before the alchemical process of writing can actually begin, someone – could be anyone – will come walking into the room I’m hiding in that day.

Today I kissed Phil goodbye, made a pot of tea and crept back up to my bedroom, firmly committed to feigning malaria if that’s what it took to be left alone to write. Two minutes later Phil popped his head through the door and said, “You have to come see this.”

Reluctantly, resentfully, I head downstairs, as he’s not taking “piss off” for an answer.

Our driver, Bhaskar, is standing in the entry, beaming, with three children in front of him. “This is my family,” he announces. “Jashoria, Cynthia, and my nephew, Joseph,” he says, tapping each on the head with his oddly expressive hands. They are beautiful children – well dressed, mannered, and clearly excited to be meeting the white people that daddy babysits. Phil and I fawn over them and ask their ages: 17, 11 and 9. We take pictures and giggle. I am smitten; if I had planned things a little better, or even planned things at all, I would have had several more children.

“Okay, nice to meet you kids! I’ve got to get to work now,” Phil says.

“Okee okee,” Bhaskar says, and heads for the door with Phil, leaving the children behind.

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The next thing I know I’m pinning the two younger ones into our swimsuits so they can play in the pool, and counseling the 17-year old on her college plans.

I sit down at the long dining room table and open my laptop, hoping to indicate that I’m going to work now. Jashoria sits down beside me and stares at me with deep brown eyes. She is adorable.

“I want to study computer science,” Jashoria says.
“What sort of computer do you use?” I ask, just to be polite.
“I’ve never used a computer, Auntie.”

Rathnama comes into the kitchen, her face puffy and pale. She is clearly ill. I put my hand on her forehead and it is scorching hot. We have no understanding of the other’s language, but somehow we find it fairly easy to communicate, and in any language, sick is sick. “Doctor,” I say, “We’ll take you to the doctor when Bhaskar gets back.” It has been an hour and a half since Bhaskar left to take Phil to work.

“Bhaskar asleep.”
“No, Bhaskar driving sir.” I often speak like a toddler these days.
“Bhaskar asleep.” She points to her apartment.

The maid is sick, the driver is asleep in the maid’s bedroom while his kids are in my swimming pool, the house is filthy, I am starving and I still haven’t written a damn thing. I see my day melting before my eyes. This pull between Western ambition and Eastern confusion lives in me daily. The more I push to write, the more India pulls me to live.

Bhaskar staggers sleepily into the kitchen. “We need to take Rathnama to the doctor,” I say.

“Okee okee,” he says, just like he always does. Phil and I have started to pick up on this strange verbal tick, “Okee okee,” along with shouting, “Baa! Baa!” when we pass cows on the road, and launching into, “No-no-no-nonono,” when what we really mean is, “No, thanks.” Aside from these verbal paroxysms in my daily struggle to communicate, my speech has developed an odd cadence and structure. The longer I’m here, what passes for normal becomes stranger and stranger.

I routinely say things like, “What is your age?”, “Cooking tonight for dinner, yes?” while holding up a head of cauliflower, and, “It is working now that I must do.”

I fear that after the year is out and I head home, I’ll be stuck with this mutant form of English painstakingly developed by necessity here, and the only place my language skills will make any sense at all will be at a call center.

I walk Rathnama to a chair and sit her down. I run upstairs and change out of my dressing gown. When I come back downstairs everyone is in the car: Bhaskar, three kids, the maid and me. There is no such thing as alone in this country. I travel with an entourage wherever I go; a trip to the drugstore for nail polish or to buy water becomes a social event. Normally it is Bhaskar and Rathnama. He walks in front like a bodyguard sweeping away autograph collectors. She walks behind and insists on carrying my bags. I am uncomfortable with this set-up, but they are even more uncomfortable when I venture out on my own. We have been given strict orders not to go out past 10 PM and not to ride in tuk-tuks. We routinely do both and lie about it.

The eldest daughter has positioned herself in the front passenger’s seat, cranks up the music and sings Hindi songs with the radio. The 9-year old boy, who’s been staring lustfully at my computer all morning, is now eyeing my iPod with that same desire. I cave and hand it to him, then show him how to play the Bubble Wrap game. I’m glad he doesn’t ask any questions because I’d have a hard time explaining why the game is fun.

We arrive at the local clinic and all six of us walk in. They bring Rathnama into the examination room and take her pulse. She won’t let go of my hand, so I stand between her and the doctor and three nurses who are evidently being paid to look concerned without actually doing anything. Two more nurses are standing by to replace two of the nurses who aren’t doing anything, when they get tired…of doing nothing. Doctor and patient can’t understand each other, often a problem between Indians. He speaks Kannada, but Rathnama speaks Telugu. From where I’m standing I should be translating but I don’t understand either.

After a brief examination the doctor sends the busload of us away with three prescriptions. The consultation fee is 60 rupees, about $1.20. At home this would have cost about $120. I pay 80 rupees for $80 worth of medicine.

I pay for everything, nearly all the time. Things are cheap here, but I am breaking all the rules. I buy my maid new shoes and saris; I suspect that I am feeding her whole family. I also suspect that I am creating more problems that I am solving. Rathnama had to hide her new sari from her nephew, who cleans our pool and feeds the dog, so he didn’t get angry at her for getting special treatment, and her husband insisted she buy him new shoes when he saw that she had a new pair.

We get home and I put the maid in the guest room, another clear boundary breach, but it is sweltering in her tiny cement room. Two of the kids jump back into the pool and the teenager gets back on the phone. The dog steals a chapati off the counter, next door the cement mixer grinds and the workers shout to each other in several different languages. The house is dirty, I am hungry, I try to call Phil but my phone is out of juice and I still haven’t managed to write.

After the swim and the 14th phone call of the day the sisters find me in my bedroom, where I am once again trying to write. “We need to wear your dresses,” the older one announces. Her words are delivered with such certitude that I’m sure it is I who is lacking knowledge of local Indian customs, and not these pint-sized cherub-monsters who are lacking in manners. I ask why, and suddenly they don’t understand my English. “Your clothes Auntie. We need to wear your clothes.”

Again, I ask why and they just look bewildered. But instead of pushing deeper, or standing my ground, or just saying, “No you can’t wear my clothes. What the hell are you thinking?” I simply open my closet doors and start pulling out dresses. I dive in to the game of “white lady dress up” fully and with fervor. This is a blast. I feel like Auntie Mame, or the big sister in a huge family, like I am the fun-loving mother of many, many children. I slip and button and tie. I teach them both to balance in heals. I take the jasmine out of the 17-year old’s hair and tussle it to one side so she looks like American jail bait. I stop short of slathering them with lip-gloss and nail polish before the spell wears off.

I send them downstairs to show their father (who is again napping in the maid’s room) their Western makeovers. I assume they will come back upstairs, change back into their own clothes, and if I’m really lucky, go home.

A few moments later they burst back into my bedroom, where I am again trying to write. “Auntie, we’re spending the night to take care of Rathnama!” This one sentence changes everything. Within the span of ten words these adorable girl children who call me “auntie” are now the only thing standing between me and literary world domination. In my head, they incur the wrath of three months worth of South Asian interruptions. They are horns and smog, belching shoppers, suspicious water bottles, those infuriating guys who try to sell you tiny drums. They are garbled English and misspelled names. They are the lying, cheating tuk-tuk drivers. They are EVERYTHING that is wrong with this country!!!

I’ve never been good with boundaries. I am, however, quite good at seething silently while people run roughshod over my life. I don’t know how to say no and I can’t stop saying yes. I look back over the past months and realize piece by piece that I have made this happen. Sure, I mentioned to our driver that we’d love to meet his children sometime. And yeah, when they arrived I was all smiles and, “Sure kids, play in the pool,” and “Let’s figure out what you’re going to be when you grow up.”

The next day the girls get up before me and eat last night’s leftovers for breakfast. And from the cookie and candy wrappers scattered in the entry hall and on the front porch, it appears they have done a fine job of cleaning anything edible from the cupboards as well. They are both still wearing my dresses, now wrinkled from sleep and splotched with food and soda stains.

There is nothing cute about any of this anymore. I force a smile and apologize that I won’t be able to play with them today, explaining that I have a ton of work to do. I then lock myself in the soundproof room until late in the afternoon and finally manage to get some work done while they tear apart the house, the maid sleeps medicated in the guest bed, and Bhaskar sleeps out the heat in the maid’s bed.

Suspect Womit

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Stellah is a gadfly, a transplant from an F. Scott Fitzgerald novel, now living in New York, with a style that spans decades and an accent that at some point, long ago, was identifiable as Australian. I have dined on elegant meals with her on the East and West coasts. Sushi topped with seared foie gras in San Francisco, poached egg drizzled with truffle oil at 4 AM in SOHO after a night of drinking absinthe at a gas-lit bar. She is the one person I simply let order for me.
stellahthaliNow, in a filthy restaurant in Mysore, India, we were sitting across from each other staring down our highly suspect thalis. They had been slopped out of crusty brass buckets onto our banana leaves by a waiter in a filthy uniform. A mound of rice in the center, surrounded by splotches of what looked to be different varieties of small animal “womit,” as they say in India, like a sadistic science display where you’re meant to match the animal with their barf.

Stellah pinches a bit of rice and places it on her tongue. The rest of us tentatively do the same. Within a few minutes Stellah, Cara, Cleveland and I have channeled our inner toddlers and are eating like natives. The meal is both delicious and disgusting.

This is Not My Beautiful World

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We wake to the shrill grinding sound of rebar being cut, in the construction site just outside the window. That sound is soon overtaken by the cacophonous grind of a cement mixer, which is again overtaken by the crashing gush of a truckload of rocks being emptied onto the construction site. A cloud of white rock dust presses up against the windows. This is not my beautiful world.
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The construction site next door is active from 8 a.m. to 8 p.m. every day. Thirty sari-draped women balance trays of wet cement on their heads while a dozen half-naked children play in the mountain of sand. Another twenty or so barefoot men scoop rocks and bend rebar and are digging six giant pits in the red earth. They are building a three-story shopping center. From my dining room window this looks like an archeological dig. I have just found out that the construction will take one year. Huge buzz kill.

We chose this place because be could live like Columbian drug lords for what a one bedroom apartments costs at home, and because it was a quiet sanctuary away from the Bangalore choking traffic and relentless noise. Now, we may as well be living in the middle of the road. Every surface of our house is coated with grit. I’m beginning to suspect that this is why the owners have chosen not to live in their dream home.

Pack your earplugs and dust masks and come for a visit!!!