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By now we have shed the negative connotations of the swastika. It’s everywhere here, in chalk on sidewalks, in corporate logos, on clothing and temples and ice cream bars. This one was painted on a hand cart at a train station in Margao, Goa. What gorgeous colors ! The swastika, in India, is a happy symbol, meant to indicate good luck and other auspicious things. History’s earliest examples of this symbol come from the Indus Valley, so India owns this thing :)
Archive for the ‘Phil’s Photos’ Category
Swastique
To Be Fair
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These adverts are ubiquitous in India’s cities and on TV. Creams, lotions, wraps, anything to make the skin “fairer.” Fair skin is so desirable one will occasionally even see women here in fair skin makeup (see character “Mango Dolly” in the recent movie release “Quick Gun Murugun” for an example). This look seems goofy to me, as the dark brown Indian skin is so gorgeous I cannot imagine wanting to change it or cover it up if it were mine.
This ad, for a fair skin cream for men, made by Garnier Fructis, is everywhere too, and the face belonging to the man in the ad peers out from every corner. Or as in this case, he smiles down over the entire Hypermart parking lot. This billboard is three stories high; you can see the relative importance this fair skin advert is given compared to, say, the consumer electronics ads at right.
A small, confused, crowd gathered as I was shooting this photo. Our driver, Moustaq, too, was nonplussed. I explained to him as we made our getaway that this was ironic, funny to me: back home, white people pay good money for similar creams that make us all darker. So the grass is always greener: light people want to be dark; dark people want to be light; nobody is happy the way they are!
Moustaq thought this was the funniest thing; he laughed for a very long time, and made me repeat and clarify.
“Really?” he kept saying, wiping tears of laughter out of his eyes. “Really?”
Essence Of Bangalore
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Nothing captures the essence of Bangalore like this massive Infosys building, in South Bangalore, looking as if a giant spaceship just crashed like Dorothy’s house right on top of what was once a rural village. Or like it violently pushed its way up from an underground city. It certainly is massive; the real scale of it is hard to capture in a 35mm frame. The raw and real juxtaposition of this behemoth futuristic structure in the background (it’s further away than it appears) against the village shacks and shops in the foreground provides a jarring illustration of the impact that the swift IT boom combined with a real lack of municipal planning has had on Bangalore.
Pachydermaphoria, Part 2
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We love the temple elephants. This is the very same elephant Pam wrote about us chasing back to the Hampi temple in the moonlight.