Archive for the ‘Phil’s Photos’ Category

Citizen Josh

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Guess who we stumbled upon all the way over here in Bangalore? Josh Kornbluth, San Francisco author, actor, playwright, and star of Haiku Tunnel, one of my favorite films ever.

Josh is in town because his current one-man show, Citizen Josh, is touring a half dozen or so major cities in India. The show itself is about Josh’s personal reconnection with democracy, and there is plenty to laugh and cry about along the way – not the least of which was re-living election night, 2004, in San Francisco. It still hurts. The theatre was gorgeous too, we had not previously known it was even there, just around the corner from our new neighborhood. Big, well designed, spacious, with a lovely café and large, air-conditioned, well-lit stage, and not a bad seat in the house. We will be back, I am sure.

So, yeah the show was great, but if all Josh had done was to read the names of the CalTrain stops alphabetically, we would have sat in rapt silence, just soaking in the San Francisco syllables: “Bayshore,” “22nd Street,” “4th and King…”
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Afterwards, we were very lucky to have a few minutes with Josh. What a nice guy :) I was a bit tongue tied, having been such a Haiku Tunnel fan, but I did manage to ask him if there was anything we could do to make his time in India more pleasant.

“Thanks, but you couldn’t possibly have a pound of Peet’s Coffee laying around,” he joked.

Actually, we did.

Thanks to our dear friends back home, who had recently sent a pound in a giant care package stuffed with goodies from the Bay area, we had a spare pound sitting in the freezer just waiting for this moment. We dropped it off the next morning and had a really tasty breakfast at the theatre café.

Check out Josh’s blog here. It’s Quixotic !

Stone Temple Pilots

Nothing is more magical than a long motorcycle ride along a quiet village road on a warm Indian night. No one honking, no one trying to commit vehicular manslaughter, no one blinding us with their brights – just graceful swooping under arches of ancient trees, past stone temples and giant rocks that have carved the same sillhouettes out of the same full moon sky for thousands and thousands of years.

Since we got the Enfield a few months back, our Sundays have been spent getting lost on the outskirts of Bangalore. Phil drives and I navigate, very badly, from the back. Now, in ancient Hampi with Phil and his son Sam, the bike I’m on is mine. I go as fast as I want, turn when I want, and nearly plow straight into a rack of Rajasthani dresses when I want.
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I speed along in the darkness, finally getting my body to move as fast as my mind, and it feels right and real. The rocks remind me of Joshua Tree, and I think about our wedding nine months ago, and what a good idea that was. I wonder what my friends will be doing on the other side of the world when this full moon reaches them in twelve and a half hours. These jagged silhouettes remind me of the ruins of Furness Abbey, in Barrow-in-Furness, England, where my my daughter is with her great great aunties and uncles, and where the moon doesn’t rise until 10 pm. It occurs to me that I’m missing my brother’s 50th birthday party tonight in Santa Cruz, and I know that I’m being missed.

I want to pin a prayer to the moon and send it to one of the people I love most, who is battling brain cancer. Being so far away from him and his family has been the most difficult thing for me in this most difficult country. It breaks my heart when I talk to him, and it breaks my heart when I don’t.

My heart is smeared from one end of the earth to the other tonight, but hearing Phil and Sam buzzing along behind me, shouting to each other and laughing, I know I am right where I’m supposed to be. My time with the two of them always feels like a gift, like I’ve been granted honorary membership in a secret club for a day, or a month.
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Outside of the cities, almost anywhere in India, this country makes perfect sense. All the half-baked confusions from bygone eras trying to find a place in this one start to smooth out, and the people are comfortable in their own skin: comfortable carrying water jugs on their head and bundles of sticks and woven palm fronds on bullock carts, tending their meticulous farms. These people are strong and patient and hardworking. They understand the rhythms of nature, something that was bred out of most Westerners several generations back. I wonder if it might be easier for me to live in an adobe house without running water and sleep on a cot on the roof and cook over a fire, than it is to navigate our fake modern house where nothing works as it should, in Bangalore.

If there is an apocalypse, I’m relocating my friends and family to an Indian village immediately.

The wind cools my dusty sunburned arms. My legs and my feet are bruised from several parking and turning mishaps – riding is new to me. I turn 48 in a few days, and it amazes me that I haven’t discovered the thrill of motorcycles before now. I know it’s dangerous, but right now I feel invincible. Maybe its all the temples we’ve been in and out of these past few days, or the multitude of blessings we’ve received from half-naked priests, or the fact that my forehead looks like someone took an axe to it due to all the kum-kum daubed across it by holy men. I imagine all these blessings creating a magical force-field around the three of us, doing what the helmets on our guest room floor cannot.

These cycle rides get me the closest to feeling like myself, or at least the person I was before coming here: always moving, usually overbooked, reaching in all directions for everything at the same time, working all day and staying up half the night. Playing music for my radio listeners and tossing around an inappropriate brand of humor over the San Francisco airwaves. Watching sunrises when I should have been sleeping. Now I go to bed early, dress in formless cotton outfits and bad footwear, and speak to the help in an Indian patois. I am careful not to look men in the eye for fear of sending the wrong message. For the first time since I was a reckless teen, my speech isn’t speckled with foul expletives. India has tamed me in ways that parents, boyfriends, husbands and children have never been able to, and I’m not sure how I feel about it.

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I am fished out of my thoughts by two headlights staring me down. A truck, occupying the full width of the road, is barrelling straight towards us. We all pull gracefully to the edge of the road and slow our bikes. The truck rolls past, we turn our heads, and in the moonlight we see a giant elephant riding in the truck bed; the same elephant we’ve been unsuccessfully looking for all day. Phil shouts and spins his bike around; Sam and I follow, smiling and laughing, shouting:

“Oh my God, there’s an elephant in that truck!”
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Never in a million years did Sam, Phil or I imagine we’d be right here, right now: in India, in hot pursuit of an elephant on a truck, so close we can see the wrinkles on her legs change shape as she shifts her weight from one side to the other.

“Yep, we’re in India,” Phil shouts, accelerating, “INDIA !”

We follow the truck down the swerving road, retracing the Hampi ruins in the moonlight. Normally the elephant spends her days at the temple, blessing pilgrims with her agile proboscis. We’d heard about her, and had been sad she hadn’t been at her post during our visit. She towers above the wooden sides of the truck bed that are painted with flowers and swastikas, and instructions to “Honk Please.” The truck rolls through the bazaar and others join our pursuit. The three of us stay close to the truck until it stops at the imposing temple gate. We park our bikes and climb off to watch the beast gracefully unfold herself from the truck bed. Kneeling with her back legs, then stepping down with her front. First one and then the other. Then searching around with her trunk while her back legs step from the truck to the stone.

We ride back to our guest house; the striped moonlight reflects off of the rice paddies flanking the sides of the road, and I think it might have been a fair trade: everything I am and everything I know, for one year in India.

Cobra Baby

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Yesterday, some cute little neighbor kids and their parents were playing in the backyard and came across this little terror – and they immediately came to get us, so we could admire their prize.

After taking photos and poking it with sticks, we asked them: What now?

They grabbed a long branch, hooked the little guy, and tossed it into the empty field next door. Problem solved.

Tea. Bagged.

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Freshly processed tea leaves, packed for shipment from the Highfield Estate tea plantation in Coonoor.

Tea Baby

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I always wanted to know where tea comes from! This baby tea leaf is from the gorgeous tea plantation, Highfield Estates, in Coonoor. If you are ever in the area, they will show you around their fields and processing plant, very easy and enjoyable time. Sam and I followed the tour up with a tasting session, tasting a “flight” of teas produced there. Sam’s favorite? Highfield Chocolate Tea, a medium grade leaf blended with little chocolate pellets. Boil it in milk, add sugar, and believe it or not, it’s delicious :)

Dreams of an Everyday Housewife

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I came to India to write. Somehow, over these past six months, I seem to have instead exchanged vows with a house. I’ve gone from being an adventurous citizen of the world, boldly throwing myself into the unfamiliar Indian landscape, to being an everyday Indian housewife. This, I imagine, is a lot like being an everyday American housewife… circa 1959… but without the cocktails or the dependable appliances.

In Bangalore, as you know by now, we live in a big house. A big house that looks like it was built for a Columbian drug lord. A house that we now know costs ten times what a house in Bangalore ought to cost, and probably twice as much as an actual big drug lord house.

We’d be willing to accept our financial folly and suck up the high rent, as it is still lower than we’re used to in the Bay Area, if it weren’t for the fact that the drug lord house was apparently built by crack heads.

The house is beautiful, to be sure. Stunning modern architecture, and more of a compound than a residence – a place you don’t need to leave to get air or light. On the ground floor there’s a built-in swimming pool where I swim laps every day, a climbing wall, and a treadmill that we never use. There are two living rooms, a media room, and four bedrooms, each with their own bath, a giant kitchen and a dining room. The place spans five levels – plus a rooftop where I watch eagles swoop overhead while I hang my laundry. One side of the house is open from the swimming pool to the roof. A bridge walkway connects the center bedroom to the marble hallway. When a breeze blows outside you feel it ripple through the house.

The place is well appointed with shiny modern appliances and fixtures, but the behavior of these things is unpredictable: when you turn a faucet, the handle is just as likely to come off in your hand, as it is to produce water. The pool’s pump leaks, creating a permanent mosquito pond in the basement; the toilet in the guest room stands in a lake on the stone floor; the media room with the giant projection screen reeks of mildew; the kitchen sink drips something that looks like blood; and the air conditioner in the master bedroom sometimes pours water on your head.

In India, the renter is expected to pay for the repairs on their landlord’s house.

All of this internal household chaos is set to the external soundtrack of a symphony of cement mixers and crying babies at the job-site ten feet below our window. The same architecture that lets in air and light now also lets in dust and noise – copious amounts of both.

Still, these annoyances are minor compared to the facts that:

A) Giant rats run wild in the house after midnight

and

B) Our refrigerator hasn’t worked for more than a month now.

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The rats have chewed holes through the window screens to get into the house, and I can hardly blame them: Rathnama tosses food scraps in the floor as she’s cooking; onion peels, butter wrappers, rejected green beans and hot chilies. In the beginning, she swept up after every meal, but these days we’re lucky if she kicks the big pieces to the corner by the overflowing trashcans. No matter how many times, or how loudly, I explain to her that she has turned the kitchen into a nightclub for rats, she just doesn’t get it.

Still, after every conversation, I walk away convinced that I’ve made my point clear. Mostly because I as I talk, she nods her head and smiles and says, “Yes, yes, yes, rats, chchchchch,” in something that sounds like English. But every time I am fooled.

rattrapLast week I set out rat traps, and caught two big juicy brown rats the first night. When I came downstairs in the morning Rathnama, apparently unclear on the end goal, was sitting on the floor next to the trap feeding the rat pieces of chapatti through the bars.

I finally decided to call a real pest control service. The next day they came and set out massive, messy, glue traps, with poison cake as bait.

Phil and I went on a long motorcycle ride for the weekend, and returned late on Sunday to find a white plastic bag on the floor in the hallway.

The bag was moving.

“Rats!” Rathnama said, proudly, and held up nine fingers.

“Get them out of here!” I screeched. “Out, out! Rats, bad!”

Rathnama picked up the bag, giggling, and launched it over the fence, to the construction site next door.

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The refrigerator is still not working.

The latest “repair people” promised to come this weekend; this has been going on for more than 4 weeks now. I waited five days for their initial visit, which yielded three small brown men looking at the black monolith like they were auditioning for 2001. Or maybe Zoolander.

After some serious gastronomic frustration during our first month here, we asked Rathnama to cook for us, in addition to her extant cleaning duties. Initially we had loved her food, but over time she has stalled out at a rotation of three meals. Lemon rice, cauliflower with caramelized cashews and chapatti, dosa and chutney. And now, after six months we are SICK OF INDIAN FOOD.

When I cook, which is more and more often, the menu is limited by the availability of ingredients, the lack of an oven, and the fact that cooking bores me. I make college student dinners; Top Ramen glammed up with vegetables; spaghetti, sans parmesan, olives, sausage, etc.; when I run across chicken that doesn’t look too scary I make fried chicken, mashed potatoes, and carrots. With quite a lot of effort, I can fake Mexican food, though we have to blanch the salsa so it won’t make us sick.

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On Monday morning the repairmen show up at the door. By the time I come downstairs in my bathrobe there are three men in the dining room, plus Moustaq, our driver. The fridge men leer at me, practically drooling. Moustaq steps between them and me, in a protective gesture. He hands me a bill.

“Is it working?” I say as I scan the handwritten invoice.

“No, Medam. This is charges for last time visiting.”

In India, finding a new American family is like catching a Leprechaun. There is a three- or four-month window when we still think in dollars and translate to rupees and every purchase feels like you are kicking ass at a Monopoly game. Money falls out of your pockets as you walk down the street, you don’t care because the denominations are so insignificant. It doesn’t even seem odd that there are three different 2 rupee coins. This is all tremendously beneficial to the lucky locals who stumble upon the leprechaun. But after a while, you just can’t help but catch on.

I laugh. “I’ll pay when the fridge works.”

The man, who is in fact dressed like an actual repairman, is talking to Moustaq.

“Medam,” Moustaq translates, “He come today after four. If he cannot arrive after four today he will arrive the next day after or before at eleven itself.”

Moustaq’s English is much better than most, but he tends to get some of the basics mixed up – “before” and “after,” “inside” and “outside,” “come,” “go.”

“Why can’t he fix it now?” I ask.

A question of that complexity, in my foreign English, threatens to make most Indians’ heads explode, so I simplify.

“Fix now,” I say.

“No, ma’am, is not possible. Bad smell,” Repairman says.

“You’re not going to do the repair because the fridge smells bad?”

“Yes, ma’am.”

“It smells bad because it has taken a month for you to fix it,” I explain.

“Just leave the door open one day, I come back.”

“Are you fucking joking? I’ve been waiting for you to come back for the past eight days.”

“Tomorrow, ma’am.”

“Do you have the needful part with you?”

“Yes ma’am.”

“So it is possible for you to fix today?” I’ve learned to always ask what I would have previously thought of as ‘stupid questions’. I assume nothing.

“Just one day, ma’am. Open door one day, I come back.”

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Rathnama is already cleaning the fridge, though with a dirty rag and cold water. There is no hot water in the kitchen. I hand her a bottle of something blue, because it reminds me of Windex, and mime spraying the inside of the fridge and then scrubbing.

I’ve been trying in vain to get her to do this for the past month. Each time I illustrate my request, she takes out another jar of something, rinses it off, and leaves it on the counter. Last week I pulled everything out of the fridge, left the door open, and had one last go at charades before giving up completely.

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“After one week, ma’am, worms arrive,” Repairman continues.

“Yes,” I growl. “We know.”

“We are cleaning it right now,” I say. “It’ll be done in two minutes.”

I can’t believe I just said that. I hear that phrase, “Just two minutes, just two minutes ma’am,” several times every day. Ordering lunch, at the pharmacy, the tailor, everywhere.

And it is never, ever, two minutes.

“Tomorrow ma’am, I come back.”

“NO.” I say a little too loudly and a little too quickly.

There is no way I’m letting this man out of my house before he has repaired the refrigerator. I am prepared to duct tape him to a dining room chair if that’s what it takes.

“I’ve put up with rotting food for a month, waiting for you to fix this damn thing,“ I say, “You can put up with a bad smell for a few minutes.”

Finally, he wobbles his head in agreement, and sets his tool bag on the floor.

“Okay, okay.”

As if on cue, the electricity goes out.

He picks up his tool bag:

“Tomorrow, ma’am.”

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Sometimes you surrender, sometimes you just give up. I’m not sure which I’ve just done. They say when you surrender, you open yourself up to the next layer of India, the good one, the magical one, the layer that contains trace elements of enlightenment.

“Bring it on,” I say.

“Just two minutes, ma’am,” India replies.