Posts Tagged ‘India’

Happy Diwali, Everyone !

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We found this incredible poster, advertising exploding caps for toy guns, on an afternoon run across state lines to Tamil Nadu to buy loads of cheap, volatile fireworks for Diwali. We drove back into Karnataka with a trunkload of combustible cargo that would have made Hunter S. Thompson nervous.

The fireworks shops spring up at the border this time each year, packed tightly, several deep and out into the distance as far as the eye can see. It’s truly over the top. And the merchandise itself was well beyond the pitiful stuff we see in the States. These places are fully stocked with serious Roadrunner-vs. Coyote ACME firepower.

But firepower was not what held my attention: it was the packaging. Boxes with utterly random combinations of elements: princesses, swastikas, explosions, cartoon characters, movie stars, porn starlets, Hindu gods… Hopefully we can post some samples soon. And the promotional posters were fantastic; I asked the vendors if they could spare any, and they looked at me like I was insane to want such trash. This one has now been framed and is hanging on our wall :)

Phil Speaks

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I spoke at this event called Design Fridays last week. It’s a long-running, subscription-based, quarterly event produced by Ray+Keshavan, a premiere international branding firm here in Bangalore. The event consists of a presentation by someone noteworthy from a given creative field, followed by Q&A, followed by dinner, cocktails, and enlightened conversation. Attendees are a nice variety of people from many creative disciplines, lively and engaged. Pam and I had attended the previous one as guests, and had a really fantastic time.

My talk was called “Desire and Digital Design.” My intention was to examine the differences between design/designers in India and design/designers in the west, and to spend some time looking at the evolution of UI design as a distinct discipline over the last 15 odd years. The juxtaposition of India and the U.S., as seen through the lens of design, is actually a very interesting subject, one I grapple with and reformulate every single day here. My working theory at the moment entertains the notion that desire is a fundamental component of the act of design; and that desire itself has been systematically bred out of the culture here for thousands of years. That’s just the top level; there are many other forces in play: politics, education, history, geography, literacy, language, religion, and more. Each has a distinct role in suppressing desire, and in turn, design. There is reason for hope, there are green shoots – I closed the talk with an examination of one particularly inspiring story – but India’s cultural model is the stream against which aspiring designers here are all swimming.

I’m pretty sure I managed to offend some in the crowd, regardless of my academic intentions. I know because they told me so ! Engaging men and women, architects, photographers, journalists, typophiles… We had fantastic talks about what India truly is, how I may have misperceived, and when we might dine together properly and have a *real* conversation :)

Swastique

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By now we have shed the negative connotations of the swastika. It’s everywhere here, in chalk on sidewalks, in corporate logos, on clothing and temples and ice cream bars. This one was painted on a hand cart at a train station in Margao, Goa. What gorgeous colors ! The swastika, in India, is a happy symbol, meant to indicate good luck and other auspicious things. History’s earliest examples of this symbol come from the Indus Valley, so India owns this thing :)

To Be Fair

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These adverts are ubiquitous in India’s cities and on TV. Creams, lotions, wraps, anything to make the skin “fairer.” Fair skin is so desirable one will occasionally even see women here in fair skin makeup (see character “Mango Dolly” in the recent movie release “Quick Gun Murugun” for an example). This look seems goofy to me, as the dark brown Indian skin is so gorgeous I cannot imagine wanting to change it or cover it up if it were mine.

This ad, for a fair skin cream for men, made by Garnier Fructis, is everywhere too, and the face belonging to the man in the ad peers out from every corner. Or as in this case, he smiles down over the entire Hypermart parking lot. This billboard is three stories high; you can see the relative importance this fair skin advert is given compared to, say, the consumer electronics ads at right.

A small, confused, crowd gathered as I was shooting this photo. Our driver, Moustaq, too, was nonplussed. I explained to him as we made our getaway that this was ironic, funny to me: back home, white people pay good money for similar creams that make us all darker. So the grass is always greener: light people want to be dark; dark people want to be light; nobody is happy the way they are!

Moustaq thought this was the funniest thing; he laughed for a very long time, and made me repeat and clarify.

“Really?” he kept saying, wiping tears of laughter out of his eyes. “Really?”

Essence Of Bangalore

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Nothing captures the essence of Bangalore like this massive Infosys building, in South Bangalore, looking as if a giant spaceship just crashed like Dorothy’s house right on top of what was once a rural village. Or like it violently pushed its way up from an underground city. It certainly is massive; the real scale of it is hard to capture in a 35mm frame. The raw and real juxtaposition of this behemoth futuristic structure in the background (it’s further away than it appears) against the village shacks and shops in the foreground provides a jarring illustration of the impact that the swift IT boom combined with a real lack of municipal planning has had on Bangalore.

Pachydermaphoria, Part 2

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We love the temple elephants. This is the very same elephant Pam wrote about us chasing back to the Hampi temple in the moonlight.